BEHRINGER - BASS V-AMP - The Ultimate Tone Toolbox for Bass / Acoustic / Electric Guitar and Keyboard Amp Modeling

Now you can have a virtual truckload of classic bass amps and speaker cabinets at your beck and call, thanks to the incredible BASS V-AMP – and you won’t need a truck to take it with you! Loaded with 32 amplifier and 23 speaker cabinet models, plus 16 classic stereo effects, the BASS V-AMP puts out so much authentic sound, that you can almost feel the heat from the glowing tubes. And if you play multiple instruments, such as bass, guitar and keyboards, the BASS V-AMP is the ideal amp – thanks to its ultra-wide frequency response and world-class effects processor.

The BASS V-AMP’s 32 amp models are organized into three groups: Clean, Acoustic and Guitar. Just twist the dedicated dial to plug into unbelievably-authentic simulations of iconic acoustic and electric bass sounds from the 1950s to today. When you select an amp model, a speaker cabinet model is automatically selected. But if you’d prefer a different model, just go to Edit > Cabinets, then use the Bank Up/Down buttons to navigate through all the available options. Just like on other instrument amps, you’ve got a 3-band EQ (Bass, Mid, Treble), plus Gain, Volume and Master volume dials – and a state-of-the-art, onboard Compressor for tight, smooth tone with a user-adjustable variable attack. Plus, when you hold down the Tap button, the Treble dial doubles as a Presence control to top-off your tone.

The BASS V-AMP gives you flanger, chorus, reverb, delay and 12 other beautiful digital effects to apply to your sound. Adjust the level in the mix via the Effects dial. To adjust parameters, you can rhythmically press the Tap button to alter delay times or LFO speeds, or hold it down and twist the Effects control to access feedback or depth settings. You can even access an additional Wah Wah effect by using a MIDI control pedal, such as the BEHRINGER FCB1010, or use the included footswitch to select different presets using the included footswitch during your live performances. The FX processor in the BASS V-AMP is all about giving you the ultimate control of artistic expression.

Secret Weapon
When activated, our proprietary ULTRABASS processor adds a signal one octave lower than the input signal. This subharmonic content adds incredible depth to bass lines, making them powerful and punchy. Just choose the ULTRABASS setting with the Effects selector, and dial in the desired amount of fat bottom-end. Your audience won’t know what hit them!

The BASS V-AMP features several configurations that make it an invaluable asset in the studio. Access the configuration menu by pressing the B and D buttons at the same time. Then use Bank Up/Down buttons to select a configuration. When using headphones, the BASS V-AMP switches into Studio Mode 1 (S1). This stereo mode works well for both monitoring and recording with effects, amp and speaker modeling. It doesn’t apply the additional 3-band EQ to the signal, but most recording programs come with their own EQ. In Studio Mode 2 (S2), the BASS V-AMP sends a signal with amp and speaker simulation, but only the right output has effects. You can either record both left and right outputs to separate tracks – or record the "dry" left output while monitoring the right output.

FEATURES:

• 32 authentic virtual amp models freely combinable with 23 awesome speaker cabinet simulations
• Stereo multi-effects including Ultrabass, synth, delay/loop sampler, chorus, flanger, rotary speaker, voice box, auto wah, phaser, ambience and reverb
• 125 memory locations including original artist presets
• Intuitive user interface with direct display of all essential settings
• Additional effect parameters directly accessible on the unit; Tap-tempo function allows real-time adjustment of effects speed parameter
• 4 renowned distortion and overdrive stomp boxes with adjustable Drive, Tone, Boost and Split
• Dedicated wah pedal and studio compressor effects
• Effective Presence, Deep and sweepable Shift/Shape controls for all amp models
• Sweepable 24 dB Butterworth frequency crossover for bi-amping operation
• Stereo Aux input lets you play along with a CD, drum computer or MIDI playback for practice, teaching and home-recording applications
• Balanced stereo Line output with virtual speaker simulation for recording and live applications
• Gig bag and dual footswitch for preset selection and tuner control included
• Adjustable auto-chromatic tuner
• MIDI implementation includes program changes, control changes and SysEx, allowing complete MIDI automation through our free Windows editor software downloadable at www.behringer.com
• Designed and engineered in Germany

BEHRINGER - ULTRACURVE PRO - DEQ2496 - Ultra-High Precision 24-Bit/96 kHz Equalizer, Analyzer, Feedback Destroyer and Mastering Processor

The DEQ2496 is a high-precision digital 24-bit/ 96 kHz EQ/RTA mastering processor, ideal for sophisticated live sound trouble-shooting or audiophile mastering. Whether you’re putting the finishing touches on recorded material or creating an optimal live sound for a multi-way PA, the DEQ2496 is built to provide meticulous control.

Equalization. Dynamics. Feedback Correction.
You can have it all with the DEQ2496. How about automatic FFT analysis with Auto EQ? We added that too. The DEQ2496 is a whole rack of ultra-flexible equalization options, dynamics and time-correction solutions, all designed to optimize your rig’s sound quality like no other single piece of processing gear. Consider the DEQ2496 your audio engineer’s Swiss Army Knife – here are a just few examples: Dual 31-band Graphic Equalizers (stereo linkable) Dual 31-band Virtual Paragraphic Equalizers (stereo linkable) Dual 10-band Parametric EQ’s per stereo side Dynamically-activated EQ Feedback Destroyer with Learning Mode Stereo Imager Compressor/Expander Limiter Digital Delay RTA/SPL/FFT Analyzer with Auto EQ function

Dual 31-band Graphic Equalizers, 31-band Virtual Para-graphic Equalizers and 10-band Parametric
Naturally, the DEQ2496 has a phase-neutral digital graphic EQ. But in addition, we’ve added a function that allows you to change the frequency bandwidths from 1/3, to as tight as 59/3. Or, if you prefer the old-school approach to variable bandwidth, we’ve included 10-bands of parametric filters that can be incrementally fine-tuned all the way down to 1/60 of an octave.

Dynamically-Activated EQ
Dynamic EQ (DEQ) automatically raises or lowers a defined frequency range based on volume level. It’s literally a combination of an equalizer (with frequency center and bandwidth controls) and a dynamics processor (with Attack, Release, Threshold and Ratio parameters). DEQ opens up a world of both creative mastering and PA problem solving possibilities. We’ve given you total control with multiple filter types including bandpass mode. And of course you can store DEQ settings for recall at any time manually or via MIDI.

Feedback Destroyer with Learning Mode
With the digital capabilities we’ve just listed, it’s easy to see why we were able to include a highly-effective Feedback Destroyer (FBQ) feature – it’s essentially a dynamically-activated parametric EQ that “watches” the whole frequency spectrum in 1∕60-octave bands and then instantly identifies and notches out feedback. FBQ can be run in AUTO mode, or in Single mode. We’ve also included a Learn mode that generates short audio pulses, raises their gain until feedback occurs, and then locks onto feedback-prone frequencies. For more than 20 years, we have made some of the world’s most acclaimed FBQ Feedback Elimination processors. Now you get this revolutionary FBQ Feedback Detection System in every DEQ2496, so your sound system is always completely free from feedback. Utilizing an ultra-fast detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. LEDs on the associated EQ frequency-band fader illuminates, showing you at a glance which fader to lower to overcome the feedback – it doesn’t get any easier than this!

FEATURES:

• Ultra-high resolution 24-bit/96 kHz mastering processor featuring 32/40-bit floating-point DSP technology
• Audiophile 24-bit/96 kHz A/D
• - and D/A converters offering 113 dB dynamic range
• 4 concurrently selectable EQ modules (31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer plus 3 Dynamic EQs per stereo channel)
• Ultra-high resolution 61-band real-time FFT analyzer with additional auto EQ function for room and loudspeaker equalization
• Unique VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs
• State-of-the-art compressor/expander with peak limiter per stereo channel, additional stereo imager and stereo delay for delay line applications
• Multi-functional level meters (peak/RMS, VU and SPL meter with dBA/dBC weighting via RTA/Mic input)
• 64 user memories for complete setups and/or individual module configurations
• Separate mic/line input with phantom power for RTA and Auto-EQ applications
• Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, stereo aux output, AES/EBU and S/PDIF inputs and outputs (XLR and optical)
• Professional Wordclock input and MIDI connections for full remote control, preset dumps and system updates
• Open architecture allowing future software updates via MIDI
• "Planet Earth" switching power supply for maximum flexibility (100-240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• Designed and engineered in Germany

BEHRINGER - ULTRAGRAPH DIGITAL DEQ1024 - Ultra-High Precision 24-Bit/96 kHz Equalizer, Feedback Destroyer and Dynamics Processor

Beautifully sculpted, feedback-free sound can be yours, when the ULTRAGRAPH DIGITAL DEQ1024 has a place in your rack. It’s a 31-band equalizer, a Feedback Destroyer and Dynamics processor – all in one. Most importantly, state-of-the-art 24/48- bit DSP and ultra high-resolution 24-bit/96 kHz A/D - D/A converters deliver the ultimate in sonic resolution.

High I.Q. EQ
DEQ1024’s EQ section features 3 selectable operating ranges (±12 dB, ±6 dB and 0/-24 dB) and 31 highest-quality, illuminated 45 mm faders. The switchable True Curve function precisely translates fader positions into an exact frequency response. In addition, the DEQ1024 provides sweepable Low Cut and High Cut filters, an “inaudible” Noise Gate/Peak Limiter and an onboard Pink Noise generator – plus a Stereo Image control that provides unbelievable spatial enhancement and improved stereo imaging.

Bridging Analog and Digital
A digital AES/EBU and S/PDIF interface gives you ample connection flexibility, and lets you select between 3 sample rates (44.1, 48 and 96 kHz). The DEQ1024 features both servo-balanced inputs and outputs with gold-plated XLR and ¼" TRS connectors.

For more than 20 years, BEHRINGER has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into the ULTRAGRAPH DIGITAL DEQ1024, so your sound system is completely feedback-free, allowing you to focus on your performance.

Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple!

Great Sound, Great Value
Put simply, the DEQ1024 is a brilliant addition to any live rig, especially one that tours internationally. The built-in switch-mode power supply can operate worldwide (100 - 240 V~) while providing noise-free audio, superior transient response and lowest possible power consumption.

FEATURES:

• Ultra-high resolution 24-bit/96 kHz processor featuring EQ, RTA and dynamic processing for PA and mastering applications
• Unique "True Curve" Function—fader settings reflect actual frequency response
• Revolutionary FBQ detection system instantly reveals critical frequencies and can also be used as Audio Analyzer
• Automatic and ultra-fast Feedback Destroyer plus feedback indication via fader LEDs
• "Inaudible" Noise Gate/Peak Limiter function plus amazing Stereo Imager for spatial enhancement
• Additional sweepable High and Low Cut filters for removal of unwanted frequencies like floor rumble and high-frequency noise
• Integrated Pink Noise generator for perfect room equalization
• Digital AES/EBU and S/PDIF interface with selectable sample rates (44.1, 48, 96 kHz)
• Relay-controlled hard-bypass with auto-bypass function during power failure (failsafe relay)
• Highly accurate, 2 x 12-digit LED meters for easy input and output level setting
• Servo-balanced inputs and outputs on ¼" TRS and gold-plated XLR connectors
• "Planet Earth" switching power supply for maximum flexibility (100-240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• Designed and engineered in Germany

BEHRINGER - DSP2024P - High-Performance 24-Bit Multi-Engine Effects Processor - 71 available effects algorithms

The VIRTUALIZER PRO DSP2024P adds spice to any performance, thanks to 71 available effects algorithms. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and our renowned wave-adaptive VIRTUAL ROOM reverb algorithms. With up to seven (7) adjustable parameters, 11 serial/parallel effects combinations and its user-friendly interface, we feel the DSP2024P is the best VIRTUALIZER PRO we’ve ever built!

Available Reverbs & Delays
Because it is one of the most desired effects, the DSP2024P provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio situation.

Standard reverbs include: 
Cathedral, Gold Plate, Small Hall, Room, Studio, Concert, Stage, Spring Reverb, Ambience and Early Reflections.

Specialty reverbs include: 
• GATED REVERB – reverb is synthetically turned off after a predetermined amount of time 
• REVERSE REVERB – reverb envelope is reversed—it slowly gets louder

Available delays include: 
• STEREO DELAY – delay is processed across the entire stereo image 
• TAPE ECHO – simulates classic tape echo devices, pre-dating the advent of digital delays 
• PING PONG – delay signal is “bounced” from left to right at an adjustable tempo

Much More than Just Reverb and Delay
The DSP2024P VIRTUALIZER PRO has some of the best-sounding reverb and delay programs, but that’s not all. Besides classic plate reverb simulations, the VIRTUALIZER PRO also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation.

Modulation and Pitch Shifter FX 
• FLANGER (originally generated by playing back two synchronized “reel to reel” tape recorders with a finger rubbing on the flange of one of the take-up reels) – VINTAGE FLANGER simulates a guitar flanger stomp box; JET STREAM FLANGER sounds like a classic analog flanger 
• CHORUS (combines a slightly detuned signal with the original) – ANALOG CHORUS simulates a guitar chorus stomp box; VINTAGE CHORUS imitates a classic analog studio chorus; ULTRA CHORUS creates the sound of an eight-person chorus 
• PHASER (combines a second, phase-shifted signal to the original) – VINTAGE PHASE represents a guitar phaser stomp box; DUAL PHASE processes the left and right channels separately 
• ROTARY (simulation of the rotating speakers typically used on an organ) – Slow or Fast 
• PITCH SHIFTER (changes the pitch of the original signal) – can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter 
• VIBRATO – the peak frequency of the tone is periodically and uniformly changed (quickly or slowly) 
• TREMOLO (common vintage guitar amplifier effect) – a fast or slow periodic variation in volume 
• AUTO PANNING – signal is automatically sent from one side of the stereo image to the other, either once or multiple times

Dynamic FX 
• COMPRESSOR/LIMITER – reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels 
• EXPANDER – effectively broadens the dynamic range of source signals while reducing background noise 
• GATE – helps reduce background clutter by turning microphones off below a predetermined threshold level. Particularly effective on drum mics and vocals 
• ULTRAMIZER – analyses incoming signal and automatically applies compression across two independent frequency bands 
• DENOISER – eliminates or reduces noise and other interference 
• DE-ESSER – reduces or removes sibilance (Ssss sound) from signal 
• WAVE DESIGNER – allows you to influence the envelope by adjusting Attack and Release of the signal

Psychoacoustic FX 
• EXCITER – adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level 
• ENHANCER – functions much like a dynamic pitch equalizer 
• ULTRA BASS – sub-harmonic processor combined with bass exciter and limiter 
• STEREO IMAGER – divides the signal into middle and side signals, allowing individual signals to be amplified when desired and placed on the stereo image 
• ULTRA WIDE – creates a broader stereo image 
• BINAURALIZER – also creates a broader stereo image and compensates for crosstalk between both speakers

Filter/EQ FX 
• FILTER – in general influence the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite 
• PARAMETRIC EQ – allows you to control the bandwidth, frequency and amplitude of a signal 
• GRAPHIC EQ – the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined

Distortion FX and Amp Simulations
The DSP2024P is also equipped with a variety of distortion, amplifier and speaker simulations including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI.

Special FX 
• VINYLIZER – adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines 
• SAMPLER – allows you to record and playback up to five (5) seconds of program material 
• VOCORDER – allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar “talking synthesizer” effect 
• VOICE CANCELER – removes mono vocal parts from stereo recordings for “instant Karaoke” 
• RESONATOR – simulates and oscillating system that amplifies a specific frequency

Our FX Combinations Go to 11 
Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The DSP2024P allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections.

FX Combinations include: 
• Chorus & Reverb 
• Flanger & Reverb 
• Rotary & Reverb 
• Pitch & Reverb 
• Delay & Reverb 
• Tremolo & Reverb 
• Phaser & Reverb 
• Chorus & Delay 
• Flanger & Delay 
• Pitch & Delay 
• Tremolo & Delay

Speaker Cabinet Simulator
The DSP2024P also provides a series of distortion and amplification sounds that are combined with a speaker simulation. This added feature allows guitarists in the recording studio to achieve excellent sound to tape or hard disk, even without a speaker cabinet.

FEATURES:

• 71 breathtaking new algorithms—unbelievable true stereo effects
• Wave-adaptive Virtual Room reverb algorithms for natural reverb and delay
• Awesome modulation, dynamic, psychoacoustic and EQ algorithms
• Authentic amp simulation, distortion and special effects
• 11 effect combinations with selectable serial / parallel configuration
• Up to 7 adjustable parameters plus 2-band EQ per effect
• 24-bit A/D and D/A converters with 64/128-times oversampling
• True stereo processing for realistic channel separation in stereo image
• 100 factory presets plus 100 user memory locations
• Extensive MIDI implementation
• Accurate LED level meters for perfect level setting and optimum performance
• Servo-balanced XLR and ¼" TRS inputs and outputs
• High-quality components and exceptionally rugged construction ensure long life
• Designed and engineered in Germany

BEHRINGER - FEEDBACK DESTROYER PRO - FBQ2496 - Automatic Fast Feedback Destroyer/Parametric EQ - 40 FBQ Filters - 96 kHz Audio Performance

The FBQ2496 Feedback Destroyer PRO is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to off er a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.

One Smart Solution
Using an ultra-fast feedback detection algorithm, the FBQ2496 automatically and “intelligently” locates up to 20 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, plus the Panic button, your FEEDBACK DESTROYER can be up and running in a matter of seconds.

Ease of Operation
FBQ2496’s Auto mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode allows individual programming of up to 40 fully-parametric filters with frequency, bandwidth and gain adjustment. Open MIDI architecture makes future firmware updates and flexible communication with digital equipment exceedingly simple.

With the FBQ2496’s various modes, you can master just about any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ2496 can protect you from feedback in both your mono PA mains and a monitor mix. 

FEATURES:

• Ultra-high performance 2-channel 24-bit/96 kHz Feedback Destroyer and Parametric EQ
• Automatically and "intelligently" locates and destroys up to 40 feedback frequencies
• Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
• Panic button immediately takes action in feedback emergency situations
• "Set-and-forget" default setting enables immediate and super-easy Feedback Destroyer performance
• Auto mode continuously monitors the mix and automatically sets filters
• Single-shot mode automatically detects and destroys feedback and locks filters until they are reset manually
• Ultra-high resolution 24-bit/96 kHz A/D and D/A converter plus 32-bit DSP for ultimate audio performance
• Extensive MIDI implementation and user preset memories for instant program recalls
• Balanced inputs and servo-balanced outputs with ¼'' TRS and gold-plated XLR connectors
• Internal switch-mode power supply for maximum flexibility (100-240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy savings
• Designed and engineered in Germany

BEHRINGER - CX2310 - SUPER-X PRO - High-Precision Stereo 2-Way / Mono 3-Way Crossover with Subwoofer Output

The CX2310 stereo 2-way/mono 3-way crossover provides amazing-accurate audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. Additionally, the CX2310 features an independently-adjustable Subwoofer Output, effectively providing an extra low-frequency band a control range from 10 - 235 Hz. By using 1% metal film resistors, along with other extremely tight-tolerance components, the CX2310 is able to guarantee surgically-precise frequency selection with incredibly-low thermal noise. Put simply, the easy-to-use SUPER-X PRO CX2310 is one of the best-sounding crossovers in its class!

Sound Quality
When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX2310 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!

What’s a Crossover?
Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!)

That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.

Divide and Conquer
The CX2310 provides two modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way mono, for Lows, Mids and Highs. In either mode, there is an additional output provided for a mono Subwoofer, with its own Frequency and Level controls. This extra feature effectively turns the CX2310 into a stereo 2-way + mono 1-way, or a mono 4-way frequency crossover. The Subwoofer Output is presented in mono, since people perceive extremely-low bass frequencies as being omnidirectional. For your convenience, the CX2310’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.

Extraordinary Value
The high-precision CX2310 is the super-effective and affordable way to optimize the performance of your sound system – and protect your valuable loudspeaker investment at the same time! 

FEATURES:

• Professional stereo 2-way/mono 3-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
• Additional subwoofer output with independent Frequency control
• Absolutely flat summed amplitude response, zero phase difference
• Individual output Gain controls for all bands
• Individual output Mute switches for easy band adjustment
• Individual Phase reverse switches for instant phase correction
• Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
• Servo-balanced and gold-plated XLR connectors for all inputs and outputs
• Ultra-high precision potentiometers for ultimate accuracy and repeatability
• Illuminated switches for secure operation in dark stage environments
• Shielded toroidal mains transformer for minimal noise interference
• Designed and engineered in Germany

BEHRINGER - CX3400 - SUPER-X PRO - Stereo 2-Way/3-Way/Mono 4-Way Crossover with Limiters, Adjustable Time Delays and CD Horn Correction

The CX3400 stereo 2-way/3-way/ mono 4-way crossover provides the ultimate in high-precision audio frequency separation, thanks to its state-of-the-art circuitry, superior-grade components, ultra low-noise op amps and balanced I/O connectivity. CX3400 features include: Limiters on all crossover outputs for optimal loudspeaker protection; an adjustable Time Delay for proper phase-alignment of the drivers; High-Frequency (HF) horn equalization for constant-directivity compensation; and a mono “Low Sum” Output (stereo modes only), which is ideal for your subwoofer applications.

Sound Quality
When a sound system is properly tuned, it becomes powerful, balanced and efficient. Bass content is punchy and tight, with vocals and instruments that are rich, crisp and well defined. The CX3400 crossover’s accurate signal processing protects critical loudspeaker components and improves overall system efficiency. All Input and Output connections are balanced/unbalanced XLR and feature 25 Hz Low Cut filters for low-frequency driver protection – plus off er Mute and Phase Invert switches, making troubleshooting even a large system – virtually effortless!

What’s a Crossover?
Chances are if you’re reading this, you already know what a crossover is – and you know that you need one. But if you are new to multi-way PA systems, here's a brief overview. Loudspeakers (which we call transducers) convert electrical signals into sound waves. And no matter how well a transducer is designed or made, it simply cannot reproduce the entire audio spectrum all by itself. Low-frequency sounds tend to push a transducer to the maximum, making it impossible for that same transducer to reproduce the treble content with the sound quality it deserves. (Try singing high falsetto next time you’re bench-pressing your limit!)

That's why high-quality sound systems use multiple speakers (woofers and tweeters) to spread out the work. While the woofer (usually the larger transducer) does all the heavy lifting, the tweeter can easily handle the high-frequency content. Three and four-way systems distribute the work even more, allowing the individual transducers to reproduce the frequency range for which they were designed. It is the crossover’s function to divide these tasks between the various amplifiers and transducers.

Divide and Conquer
The CX3400 provides three modes of operation: 2-way stereo, for Left and Right Lows (woofers) and Highs (tweeters); and 3-way stereo, for Left and Right Lows, Mids and Highs; and 4-way mono, for Lows, Low-Mids, High-Mids and Highs. For your convenience, the CX3400’s front panel features an elegant and easy-to-read LED matrix, so you can see at a glance which operating mode has been selected – and which controls are currently active.

CD Horn Compensation
When a driver radiates into open space via a horn, its efficiency increases. Over the past few years, constant-directivity horns have gained widespread popularity, since they are designed to produce consistent dispersion over their entire frequency range – however, the higher the frequency, the lower the efficiency. To compensate for this, the CX3400 includes a switchable pre-EQ for CD horns that ensures a flat frequency response, even before equalization is applied. This pre-EQ raises the signal gain by 3 dB at 3.5 kHz, which then increases by 6 dB/oct. up to 22.5 kHz.

FEATURES

• Professional stereo 2-way/3-way/mono 4-way crossover featuring state-of-the-art Linkwitz-Riley filters with 24 dB/octave
• Individual Limiters on each output for optimal loudspeaker protection
• Adjustable time delay for phase alignment between drivers
• CD horn equalization for constant directivity horn compensation
• Absolutely flat summed amplitude response, zero phase difference
• “Low Sum” function provides mono output for subwoofer operation
• Individual output Gain controls for all bands
• Individual output Mute switches for easy band adjustment
• Individual Phase reverse switches for instant phase correction
• Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
• Servo-balanced and gold-plated XLR connectors for all inputs and outputs
• Ultra-high precision potentiometers for ultimate accuracy and repeatability
• Illuminated switches for secure operation in dark stage environments
• Shielded toroidal mains transformer for minimal noise interference
• Designed and engineered in Germany

BEHRINGER - HD400 - ULTRA COMPACT HUM AND NOISE DESTROYER - 2 MONO CHANNELS OR 1 STEREO CHANNEL

The HD400 is the ultra-affordable way to quickly and easily clean up your act! Whether you’re recording or performing, it’s important to keep AC hum out of the mix. No matter the quality of the venue’s wiring, the MICROHD HD400 Hum Destroyer eliminates AC hum quickly and reliably.

The HD400 features two channels allowing you to eliminate hum in two mono signals or one stereo signal. Placing the HD400 in-line between your stereo mixer and power amps for a squeaky-clean sound free of AC hum. It breaks ground loops safely while maintaining the highest sound quality.
It can even convert your unbalanced signals into balanced without any signal degradation.

The incredibly-handy MICROHD HD400 is small enough to ride to the gig in your pocket, but really big when it comes to cleaning up your sound. 

FEATURES

• Removes AC hum and noise - fast, easy and reliable
• Breaks ground loops safely, while keeping highest sonic quality
• 2 independent channels for 2 mono or 1 stereo signal
• Automatically converts unbalanced to balanced signals without signal loss
• Designed and engineered in Germany

KETRON - SD4 - PORTABLE SOUND EXPANDER MODULE FOR ALL MIDI APPLICATIONS, INCLUDING PC/Mac SOFTWARE

The Ketron SD4 is a pocket sized sound module designed for all PC and MIDI applications. The module is equipped with a new, powerful sound engine including a Professional Grand Piano sample (across 88 notes), huge orchestral and beautiful voices such as Saxophones, Brass, Woodwinds, Guitars, accordions, organ digital drawbars and many others. The quality of sound is what we have come to expect of Ketron (Best Natural Sound) making it ideal for use in Studio and Professional applications.

One of the main features of the SD4 is the panel interface. This enables users to easily setup three parts; ideal for use with Accordions, Electronic Organs, Keyboards etc. Due to its small size format it will easily sit on the panel of a master keyboard.

Using with a Computer takes the SD4 to a new level due to the inclusion 82 Audio Drum Loops ready to be inserted into your sequencer. To make this easier we have provided sound Map templates for many popular sequencer programs which along with loop libraries can be downloaded free of charge from the Ketron website.

TECHNICAL SPECIFICATIONS:

DBX - 215S - HIGH QUALITY CONSTANT-Q GRAPHIC EQUALIZER - DUAL BANDS OF 15 FREQUENCIES TO REGULATE

No two rooms sound the same. Ensure you'll get a great sound whatever the sonic environment with a dbx 215s Dual 15-Band Constant Q Graphic EQ. You'll have granular control of your sound thanks to the 15 bands per channel offering ±12 dB.

Get startling audio clarity with less than 0.003% total harmonic distortion. You'll be able to shape your sound without adding any extra noise. For wider adjustments you can set the adjustment range to ±12dB, or for more precise changes you can change it to ±6 dB.

High quality components for excellent results

The 215s gives you two 15-band channels of 2/3-octave equalisation with 20mm nonconductive sliders and an intuitive user interface with output level metering. Built from quality components with meticulous attention to detail, it offers an extended 10Hz to 50kHz frequency response with a 112dB dynamic range, plus a switchable +/-6dB or +/-12dB boost/cut range. The unit has XLR and TRS inputs and outputs, for flexibility in setup. The 215s is ideal for use in the studio, on tour or in fixed installations.

Features

• Dual 15-band, 2/3-octave Constant Q frequency bands
• +/-12dB input gain range
• 4-segment LED ladders for monitoring output levels
• XLR and TRS inputs and outputs
• Bypass switch to bypass graphic equaliser section in the signal path
• Low Cut switch to activate the 50Hz 12dB/octave high-pass filter
• Range switch to select either +/-6dB or +/-12dB slider boost/cut range

Specifications

• Input Connectors: 1/4" TRS, Female XLR (Pin 2 Hot)
• Input Type: Electronically Balanced / Unbalanced, RF Filtered
• Input Impedance: Balanced 40kOhm, Unbalanced 20kOhm
• Max Input: >+21dBu Balanced or Unbalanced
• CMRR: >40dB, Typically >55dB at 1kHz
• Output Connectors: 1/4" TRS, Male XLR (Pin 2 Hot)
• Output Type: Impedance Balanced / Unbalanced, RF Filtered
• Output Impedance: Balanced 100 Ohm, Unbalanced 50 Ohm
• Max Output: >+21dBu Balanced / Unbalanced into 2kOhm or Greater, >+18dBm Balanced / Unbalanced into 600 Ohm
• Bandwidth: 20Hz to 20kHz, +0.5/-1dB
• Frequency Response: 50kHz, +0.5/-3dB
• Signal-to-Noise: Typically >95dB
• Dynamic Range: Typically >112dB
• Power Consumption: 15W